Use of Foreshadowing in Anne Radcliffes The Italian Essays -- Anne Ra

Use of Foreshadowing in The Italian Anne Radcliffe incorporates many aspects of the Gothic into her novel, The Italian. In this book, one can find an exciting exploration of an exotic culture, a history of family secrets, subtle hints at supernatural forces at work, and Gothic architecture in both ruins and in the Inquisition prison. However, perhaps the most prominent feature of the Gothic used in this novel is the element of suspense. Radcliffe creates suspense in The Italian through a chain of foreshadowed events that lure the reader further and further into the story. Several of the most noticeable means of foreshadowing are found at the beginning of each chapter. From reading the quotes that Radcliffe uses to launch each chapter, the reader can tell more or less what the next few pages will have in store. An example of such a quote can be found at the beginning of the first chapter, "What is this secret sin; this untold tale, That art cannot extract, nor penance cleanse?" - Mysterious Mother (5). From reading this quote, one can already foresee that the story involves a great family secret, and this secret could very well pertain to a mother or a mother figure. It is also safe to assume that this secret has been revealed in confession. This assumption can also be supported by the information revealed in the preceding pages, in which the reader learns that the story he is reading is a written account of a confession made at a convent of the order of the Black Penitents. However, the secret is so great that even penance cannot cleanse the guilty. I t is amazing how much this short introductory quote reveals, especially since it is found so early in the novel. Radcliffe also reveals certain aspects of a ... ...s a mother's would. A few pages later, Olivia discovers the identity of Ellena (92-93). It is apparent that she is deeply affected when she learns Ellena's full name. These instances support the notion that Olivia and Ellena are connected, but the reader must wait until the end of the book to discover their relationship. In The Italian, Anne Radcliffe uses the technique of foreshadowing in such a way that the reader can make accurate assumptions about major points in the novel. However, Radcliffe is careful not to reveal too much information and merely makes suggestions as to what might occur later in the novel. This clever approach entices the reader and keeps him/her interested in the story. When the reader finally finishes the novel, the suspenseful mystery that Radcliffe has created all comes together and leaves the reader satisfied.

The Bluest Eye Essay -- essays research papers

Beauty is something that a lot of people in life strive for , because everyone has fitted in their mind what exactly beauty is. People know that it can help you out in life. But what most people don’t know is that, beauty is in the eye of the beholder. Meaning that beauty should not be characterized by what people are told it is, beauty is different for everyone, what is beautiful for you may be ugly to someone else. The characters in Toni Morrison’s The Bluest Eye are confronted with the ideal of beauty and strive for it whether they know it or not. The two characters that I think were followed the ideal of beauty in Toni Morrison’s story are Pauline and Pecola. In Toni Morrison’s story and in real life, beauty is described by people as having blond hair, blue eyes , perfect figure, etc. It’s been said that if you have good looks, you can make it in life with just looks alone. People only strive for becoming beautiful because they want attention. As is the case in Toni Morrison’s story. The characters in her story think that they are ugly , by others opinions of them , and want to become beautiful so they will be recognized and be the center of attention. But the harder both characters try, the worse things get. Pauline strived for beauty because she wanted to attention and wanted to be beautiful. Pauline seemed to have just worse case of bad luck, when she was a child she stepped on a nail and she was left with a limp forever. "The wound lef...

The Odyssey

The Odyssey In the epic poem, The Odyssey, by Homer, Odysseus does not deserve his reputation as a brave and clever leader because he is very arrogant, conceited, and he only cares about his glories which causes him the life of all his loyal companions. Odysseus makes the mistake of bragging out to the Cyclops about how he conquered stabbing his eye and escaping his cave â€Å"Cyclops if ever mortal man inquire how you were put to shame and blinded, tell him Odysseus, raider of cities, took your eye: Laertes’ son, whose home’s on Ithaca! (Book 9, lines 416-420). Odysseus does not think about the consequences he will have now after yelling out his real name, his father’s name, and his home land. His journey home will be much more difficult due to a non-clever decision. The Cyclops tries to trick Odysseus into going back and possibly eat or kill him ‘’Come back Odysseus, and ill treat you well, praying the god of earthquake to befriend you, his son I am †¦ if he will, he may heal me of this black wound †¦Ã¢â‚¬ (Book 9, lines 431-435).Odysseus does not return which does show some cleverness but then again he yells out to the Cyclops â€Å"if I could take your life I would and take your time away, and hurl you down to hell! The god of earthquake could not heal you there! †(Book 9, 437-440). This aggravates the Cyclops and he puts a curse on Odysseus â€Å"†¦grant that Odysseus, raider of cities, never see his home †¦let him lose all companions, and return under strange sail to bitter days at home†(Book 9. Lines 445-452). Due to all of his actions, bragging about his glories, Odysseus will face many difficult challenges and may not return home. The Odyssey In the tenth book of the Odyssey Odysseus and his companions find themselves trapped in the cave if the Cyclops Polyphemos. After their monstrous host has munched his way through several of his guests, the remainder take action. Odysseus makes a sharp, wooden stake, cutting it from the massive cudgel discovered in the cave; then together with four of his men he plunges the stake into the eye of the drunken, sleeping Polyphemos. Snodgrass, however, would dissent. His whole book is devoted to proving that not only did early Greek art rarely illustrate Homer, it was rarely even inspired by it. This theory is not a new one. Many other scholar have thought and pondered the same ideas. Snodgrass meticulously studies examples of scene often thought to be illustrations of Homer. Geometric art, he argues, offers nothing that can be identified as Homeric; indeed, there is only one Trojan war scene and that is Ajax's rescue of the body of Achilles, a scene which occurs in neither the Odyssey nor the Iliad. One of the more bizarre apparitions of geometric art takes the form of a pair of Siamese twins, warriors with two heads, four legs, four arms and one torso and the subject of some fascinating pages in Snodgrass's book. They were especially popular in early Greek art, but there is no clear Homeric influence here. Twice does the Iliad does refer to the twins, yet significantly he does not mention their rather striking deformity. It is preferable to understand both the artist and Homer as drawing on the same body of legendary material. By the mid seventh century figures on vases are beginning to be identified by captions. This at least makes it easier to determine whether the scene is from the Trojan war. Instead of two warriors fighting over a body we can be sure that we are looking at Menealos and Hektor fighting over the body of Euphorbos, as found on a famous Rhodian plate of the late seventh century, a picture that makes an impressive and appropriate cover for the book. This could very well be an illustration of the Iliad book where Menealos abandons his attempt to strip the corpse. Evidence for this tradition can be found in the shield of Euphorbos by Menealos himself. This is certainly plausible and helps to show that common subject matter is insufficient to prove influence. On the other hand, where a minor character is names, such as ‘Odios' in the embassy to Achilles, then we can be more confident that the artist had Homer in mind. This is a book of enormous leaning and subtlety, and it conclusion is surely right, yet at the same time it seems something of a missed opportunity. It is devoted to a negative and tightly-argued thesis, that Homer's epic poems had only minimal influence on early Greek at. Snodgrass is re-thinking early Greek art as he goes, but he is re-thinking it within the restrictions imposed by the very narrow focus of the book as a whole. Thus, the positive, for instance the illuminating chapter on synoptic narrative and on composition, can be rather swapped in the relentless negative arguments. Other will now need to work through the implications of his thesis, for example the role that must be assigned to oral tradition and all its local variations. Perhaps it is no conscience that his book should appear at a time when the literary culture of the recent past is being eroded by an increasing emphasis on the visual. The Odyssey The Odyssey In the epic poem, The Odyssey, by Homer, Odysseus does not deserve his reputation as a brave and clever leader because he is very arrogant, conceited, and he only cares about his glories which causes him the life of all his loyal companions. Odysseus makes the mistake of bragging out to the Cyclops about how he conquered stabbing his eye and escaping his cave â€Å"Cyclops if ever mortal man inquire how you were put to shame and blinded, tell him Odysseus, raider of cities, took your eye: Laertes’ son, whose home’s on Ithaca! (Book 9, lines 416-420). Odysseus does not think about the consequences he will have now after yelling out his real name, his father’s name, and his home land. His journey home will be much more difficult due to a non-clever decision. The Cyclops tries to trick Odysseus into going back and possibly eat or kill him ‘’Come back Odysseus, and ill treat you well, praying the god of earthquake to befriend you, his son I am †¦ if he will, he may heal me of this black wound †¦Ã¢â‚¬ (Book 9, lines 431-435).Odysseus does not return which does show some cleverness but then again he yells out to the Cyclops â€Å"if I could take your life I would and take your time away, and hurl you down to hell! The god of earthquake could not heal you there! †(Book 9, 437-440). This aggravates the Cyclops and he puts a curse on Odysseus â€Å"†¦grant that Odysseus, raider of cities, never see his home †¦let him lose all companions, and return under strange sail to bitter days at home†(Book 9. Lines 445-452). Due to all of his actions, bragging about his glories, Odysseus will face many difficult challenges and may not return home.

Types Of Love In Romeo And Juliet Essays - Free Essays, Term Papers

Types Of Love In Romeo And Juliet Essays - Free Essays, Term Papers Types of love in Romeo and Juliet Shakespeare's Romeo and Juliet is a play about two lovers separated by their feuding families. From forth the fatal loins of these two foes a pair of star-crossed lovers take their life.(Pro.I.6) The two foes Shakespeare speaks of are the Montagues and the Capulets. Their hate for each other is great and violent. The hate of the two families is shown early with a street brawl. The hate causes the lovers to hide their love from their families until the very end. after Romeo and Juliet died in the Caplulet tomb the two families see their hate and reconcile for the love of their beloved children. Shakespeare's Romeo and Juliet reviled love as a war as a religion as a malady and as a cult. The theme of love, which he explains in other keys in plays before and after remain central, though now it is to idealized in all seriousness(Sauffer 29). All through the play Shakespeare constantly held love as the basis of the play. The actual ethical energy of the drama resides in its Wise,2 realization of the purity and intensity of ideal love. Here there is no swerving(Stauffer 32). Stauffer believes that Romeo and Juliet's love was pure and intense also it is constant ever since the they lay eyes on each other. Romeo and Juliet's love is a perfect blending of body and soul. The obstacle which is a feature of the amour-passion legend is partly external, the family feud; but is partly a sword of the lovers' won tempering since, unlike earlier tellers of the story, Shakespeare leaves us with no explanation of why Romeo did not put Juliet on his horse and make for Manturia(Mahood 392). If Romeo would leave Verona with his love Juliet both will live with each other and could be in love till they are old and gray, but instead Romeo leaves with out his love and die young with each other. The love of Romeo and Juliet is immediate violent and final. In the voyage of the play they abandon themselves to a rudderless course that must end in ship wreck(Mahood 392). "Thou desperate pilot, now at once run on the dashing rocks, thy sea sick weary burke: He eres my Louve."(V.iiii 117-119) The theme of Romeo and Juliet is love and violence and their interactions. In it these two mightiest of mighty opposites meet each other squarely - and one wins(Goddard 118). The whole secrete of the play is that the deaths of Wise,3 the lovers are not the result of the hatred of the houses, nor of any other cause except love itself, which seeks death in its own restoring cordial. Love conquers death even more surly than it defeats hate. It sweeps aside all accidents so that fate itself seems powerless. Time is defeated, in that first stirring of a belief that Shakespeare came later to trust completely: that the intensity of an emotion towers above its temporal duration or success(Stauffer 32). What Stauffer is trying to say is that love is very powerful and even in death the love continues. Romeo finds Juliet's sleeping body after she had drank the potion, and he believes her to be dead. Romeo is slain when Juliet wakes up from here sleep. Out of fear and love she inserts a dagger into her heart with the famous line "Oh happy dagger". Even though the two lovers are dead their love continues. The love between Romeo and Juliet was forbidden by the two families because of their hatred for each other. Most religions say to honor your parents and if their parents new of the love it could have been disaterious. After Juliet marries Romeo the Nurse tries to convince Juliet to commit bigamy. She wants here to marry Paris so that all will be right with here father and the rest of the Capulet family, Juliet refuses. Wise,4 At the time Romeo meets Juliet, he is infatuated with a woman named Roseline. Romeo's moon struck calf-love for Rosaline must be laughed out of him by his friends Benvolio and Mercutio, by his guide Friar Lawrence and by his own true love. For Romeo doting upon Rosalin, love was malady and religion; for Mercutio it is sheer lunacy or a brutal conquest(Mahood 398). Mercutio's realm of love was lust, also very false by nature. For all the bad things the be said about lust, it is where all the jokes are and Mercutio being a joker used it to his full advantage. In trying to call Romeo over the wall, he tried a certain amount of discussion about Rosline's body

Götz and Meyer, written by David Albahari

Gà ¶tz and Meyer, written by David Albahari Fictions on holocaust are often shocking because they depict murders by the Nazi prosecutions and cold-blooded massacre of Jews. Such stories are full of unsparing depiction of human sufferings and genocide to such an effect that, one fails to see perpetrators as humans, who used to be viewed as faceless entities that were programmed to commit murders.Advertising We will write a custom research paper sample on Gà ¶tz and Meyer, written by David Albahari specifically for you for only $16.05 $11/page Learn More The book Gà ¶tz and Meyer, written by David Albahari, tries to prove the fact that the perpetrators have a human face. It is emphasized that the protagonists in the novel, who are two Nazi drivers of the gas trucks, are not mere murder machines. The author humanizes the characters in order to present a different way of perceiving the nature of evil. Through the humor and empathy implemented in the novel, the characters that embody two Nazi soldiers ar e given human faces instead of the sole image of a murderer. A nameless teacher from Belgrade narrates the story about the destruction of the Serbian Jews during the war. He was obsessed with reconstructing his family tree, therefore, he toiled endlessly in the archives to gather information, but failed miserably for he could find only a few members of his family while there were sixty of them killed. The narrator says, â€Å"For me to truly understand real people like my relatives, I had first to understand real people like Gà ¶tz and Meyer.† . The novel is about these two characters, who were Nazi soldiers, being unknown to the narrator though. When the narrator begins his narration, he knows nothing about William Gà ¶tz and Erwin Meyer except for their names: â€Å"Gà ¶tz and Meyer. Having never seen them, I can only imagine them.† Initially he describes them as unknown people or characters as described in a tale. They were German soldiers, they were SS commissio ned, who were assigned the duty of driving a large truck for a â€Å"special purpose†. Their duty was to drive the truck every day to and from the fairground in Belgrade. The narrator constantly repeats the following line, â€Å"Having never seen them, I can only imagine them† (1) in order to imprint their images in the mind of the listeners, as well as in his own mind. One might say the narrator plays a dangerous game by trying to understand the characters at the risk of becoming them. At this point, one must note the importance of memory in the novel. Robert Eaglestone in the book The Holocaust and the Postmodern highlights the fact that â€Å"memory† helps to â€Å"evoke nearly everything there is to a person and to a society.† (74) Eaglestone also believes that the way â€Å"we remember the past† helps in framing our identity. Like most of the Holocaust fictions, the narrator too is nostalgic of his destroyed past and tells the story from memor y. However, unlike most Holocaust fictions, Albahari does not depict an ugly picture of the time. His stories deal with death, killing, mass murders in gas chamber, but they do not describe all the sufferings in detail to haunt the reader’s imagination of the Nazi carnage. Rather, the â€Å"memory narration† of the novel builds a humane figure for the two people who were Nazis.Advertising Looking for research paper on literature languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More Albahari describes the two protagonists, playing with children on the ground before they go back to work. He further underlines that both of them are married and worry about the children at home. One of them, maybe Meyer (again the narrator is unsure which one of them) is fond of children and like presenting them chocolates. Now these children could easily be Jewish youngsters at Belgrade Fairground whom he had to transport in his truc k. Such a scene shows that these two men were the victims. They were there to perform their duty, in reality, they were not monsters with evil eyes and poisonous fangs. The narrator talks of the ambitions and desires of the protagonists. One of them, (again the narrator is unsure which one), wanted to be a pilot, and the other one has other dreams in his mind. The narrator is often unsure how to differentiate between them, and often forgets to stress out who was doing some particular things in this or that scene, but these characters are not presented to the readers as caricature of evil villains. Rather, they are presented as individuals committed towards one task. The narrator describes the truck that the protagonists drive: The truck was a Saurer, a five-tonner with a boxlike body, 1.7 meters high and 5.8 meters long †¦ A full hundred people could stand in the back †¦ During these trips, the souls became real souls, no longer human in form. Gà ¶tz and Meyer most certai nly knew what was happening in the back of the truckAfter all, the people they were driving had no souls, that, at least, was a commonly known fact! Jews were nothing more than milder on the face of the world! And so, day in and day out, they would repeat their practiced routine. This paragraph shows two protagonists in a bad light to the readers, showing that they were carriers of death to men, women, and children they carried in their truck and believed that they were soulless and faceless creatures. The routine involved the protagonists in the destruction of the Serbian Jews. The novel shows a host of killings that were conducted by SS squads; they shot hundreds of people face to face. However, such mass killings made the German soldiers weary and took a toll on their morale. Therefore, a less personal means of massacre was employed through these mobile gas vans. For the first time, the readers view Gà ¶tz and Meyer as murderers who helped in asphyxiation of many women and child ren in their truck.Advertising We will write a custom research paper sample on Gà ¶tz and Meyer, written by David Albahari specifically for you for only $16.05 $11/page Learn More The narration of the killings makes the narrator more involved, he describes how the protagonists would drive the truck into the distance, and one of them would put the exhaust pipe into the truck. After that, they were never involved in killing. Then, the dead bodies were driven to the Serbian prison where the bodies were dumped. While this gruesome process is being put into effect, the narrator imagines Gotz and Meyer â€Å"chatting with their commander†, again enabling the readers to look at these two bearers of death as humans. The memory of the narrator plays a major role in the description of the biographical or historical fiction, especially that of the Holocaust . This piece of fiction is also drawn from the memory, but the narrator is truthful enough to say that h e has not met the characters Goth and Meyer, and therefore, he is obliged to draw from his imagination, which of course has been discoursed with stereotypes. Individual memory exists in a collective form, adhering to the social norms and framework . For example, in the story, the memory of the narrator was reconstructed by events and incidents that had been externally infused in his mind by those groups that influenced his memory. Consequently, it is obvious that he will embitter feelings towards the two German soldiers he describes. His imagination is bound to have the stereotypes, and Jewish constructs influence his description of the story as well as the characters. This has helped in humanizing the characters as well. The novel can be called humorous due to the deadpan tone of the narrator, presenting the story to the readers in a satirical tone. This gives the novel an uncanny comical feature. Once the readers pick a book on holocaust, the prevalent stereotypes play in their mi nd and eventually they expect a horror story of human atrocities and sufferings. The element of empathy and humor present in the story is evident in the way the narrator describes the two Nazi protagonists. In a non-committal voice, as if he was narrating the story of any other man, he described how Gà ¶tz and Meyer were performing their work and duties. He tried to imagine these men, having with their personal lives, full of concerns and problems. The implementation of humor in describing an act of atrocity makes it more tragic . Humor in holocaust fiction does not imply that the whole story becomes a â€Å"carnival†; what is strives to portray is a different perspective of life at the time when it seems it can only be filled with death . Presence of puns and double meaning in dialogues is the essence of Holocaust fiction that is reiterated in Gà ¶tz and Meyer.Advertising Looking for research paper on literature languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More The episode when the narrator describes his untimely desire to itch in the classroom and the episode where he subsequently visits a dermatologist is full of dark humor. After school, the narrator visits a doctor to get the problem of his itching examined. The doctor inquires of any past complaint of skin disease in the narrator’s family. To this query, the narrator sarcastically answers, â€Å"Most of them died of poisoning† . Another instance where the narrator presents a case of dark, double edged humor was when he asked his students to imagine a journey to the camp and when he tells one of his students that she will not be allowed take her pet to the camp. She then contemptuously says â€Å"Why, this is inhuman† . Even the protagonists Gà ¶tz and Meyer are subjected to dark humor as the narrator, making them human as well as inhuman at the same time. The story uses various tropes to show Gà ¶tz and Meyer as humans. One of them is when the narrator directly questions the readers: What kind of man would †¦ consent to do a job that meant putting five or six thousand souls to death? I find it hard to give a student a bad grade at the end of the semester, let alone at the end of the year, but that is nothing compared to the way Gà ¶tz and Meyer must have felt. The narrator at once makes the protagonists human and the very next moment brings out the ugly side of their work. By comparing his work as a teacher and their job as killers, the narrator puts two juxtaposing professions to bring out the satire in it. Thus, through interplay of human and inhuman characters to demonstrate the protagonists, Albahari has actually made Gà ¶tz and Meyer two ordinary men rather than Nazi soldiers. Bibliography Albahari, David. Gotz Meyer. London: Random House, 2005. Print. Eaglestone, Robert. The Holocaust and the Postmodern . London: Oxford University Press, 2004. Print. Pres, Terrence Des. Holocaust Laughter. Pres, Terrence Des. Writings into th e World. London: Viking, 1991. 279-286. Print.

Character Names 19 Methods Tips for Naming Characters Step-by-Step

Character Names 19 Methods Tips for Naming Characters Step-by-Step Character Names: 19 Methods Tips for Naming Characters Step-by-Step Your character names have the ability to transform the perception readers have of your book and story.If you think about itcharacter names are actually a specific literary device you can use most sneakily.And if you want readers to love, adore, and care for your main character, giving them the best and most memorable name can make all the difference.Use these methods for naming characters in your book:Using baby name websitesThe Root-Meaning methodMash-up character naming methodThe Add-on methodDevelop-First naming methodMaking character names up from scratchNaming-by-era methodUsing similar-to-real-life names11 tips for getting character names rightNOTE:Are you ready to give your characters a real home? Check out our VIP Fundamentals of Fiction and Storytelling Self-Publishing Program to learn how. Learn more about it hereNaming Characters Intentionally: Why Character Names MatterCharacter names have the power to transform your readers perception of your character entirely.Lets use the example of names from How to Train Your Dragon, the animated film.Character name example: HiccupWhy this character name matters: This name is extremely fitting to the type of character Hiccup is. The reason for a silly, weak name like this is because that is what the creators want you to think of when you hear the name. They want you to have low expectations so that when this character rises above, the emotional impact is far greater than if he had a typical hero name.You can use this same ideology for villains. One in particular with a famous name is from Harry Potter.Character name example: Lord VoldemortWhy this character name matters: From the beginning, Rowling crafted this name to be foreboding. In fact, this character himself chose the name because of that. As the author, you can craft your villains name based on your intentions. If you want readers to underestimate them, choose a silly name like Bob. But if you want readers to fear the wrath of your villain, choose a mor e fitting name like Lord Voldemort.Character Name GeneratorsIf youre looking for the easy way out and would rather someone else do the work in naming your characters, there are tools online for that.Here are some of the top character name generators:Character Name Generator This one allows you to fill in several different defining factors in order to produce a character name that fits your character best.Fantasy Name Generator Are you writing a fantasy novel and need some character name ideas? This generator offers several different options for theme-based character names for your fantasy book.Name Generator for Fun With this one, you can choose from several categories, like villain names, rap names, superhero names, and more.Name Generator This character name generator also gives you options to narrow in on details about your character for a more fitting name. However, this one has more real-life names than uniquely created, so it may serve better if youre writing in the conte mporary book genre.Writers Character Name Generator While very random, this one may just allow you to stumble upon your next main characters name.Character Name GeneratorHow to Come Up With Character NamesNaming your characters is one of the best and scariest parts of writing a novel.Using one of these methods will help ease the process while providing higher quality final results.#1 Baby Name WebsitesOne of the most popular methods of coming up with new character names is to pretend theyre your babyliterally!Baby naming websites have been serving up characer names for writers for years.Oftentimes, these websites even offer name meanings, trending names, and even names that were popular doing different years.Here are some great baby name websites to discover your characters names:NameberryBaby Name WizardBaby Name CenterNymblerBaby NamesBabble Baby Names#2 Root-Meaning MethodWelcome to the most common, tried-and-true method to name characters in books.People use this method in re al-life to name their children, too!The root-meaning method simply refers to using a core meaning or belief or even origin of a name for symbolism in your book.Here are some examples of this:Tobias Kaya in The Saviors Champion: His name means goodness and is very much meant to align with who his character is and his role in the series.Frodo Baggins in Lord of the Rings: Little do most people know, the name Frodo originated from the old English word frà ³d, which translates to wise by experience.Katniss Everdeen in Hunger Games: This books author really took the name meaning seriously when crafting her main character. Katniss is a plant in the genus Sagittaria, which roughly translates from Latin as archer.You can easily find the meanings of names by venturing to baby naming websites. You can also type in a name you like to Google and it will usually pop up.#3 The Mash-UpOne of my personal favorite ways of creating new names is to simply mash real-life names together until I find s omething thats real-sounding but also unique to my world and characters.This method of coming up with character names is better learned through seeing than a simple explanation:Josh and Riley = Joley, Jile, Rosh, RisheCasey and Michael = Cachel, Cachael, Casel, Misey, Miche, Michey, MaseyEmily and Rochelle = Emelle, Echelle, Romil, Romily, Rochil, RocilyObviously, some combinations will be better than others, but this is a quick way to generate new but realistic character names.Heres the step-by-step breakdown for how to create simple character names with this method:Choose or find 2 real-life namesMatch them side by sideTake the first half of the first name and mix and mach it with the last half of the second nameRepeat step 3 but vice versaYou should have a list of several different sounding namesChoose a few to keep that you likeRepeat this process with several pairs until you have a roster of character names to choose from#4 The Add-OnThis method is super similar to the previou s method but with more freedom.This is another personal favorite and how I manage to come up with cool and interesting names that are also unique to my story.Instead of taking two names and matching the beginning of one with the end of the other, simply choose real names and swap out the endings or add on to them completely.Heres what this looks likeRebecca = Rebera, Rebilla, Rebyr, Rebine, ReborraTaylor = Tayr, Tayora, Tayrin, Taysila, TayserraCory = Corrin, Corel, Coreesa, Coryn, Corros, Cortsa, CortaJohn = Johva, Johrrin, Johk, JohreyThe steps for this one are pretty obvious. Choose a random real-life name and simply swap out the endings for a combination you create on your own.I always try to do varying combinations, remembering that double consonants work well, as does changing the length of the vowel sounds by adding or changing those letters.I do this often and keep a spreadsheet with names I like, as in the image below.#5 Develop-First NamingSometimes choosing a characters name too early will make you subconsciously develop that character into someone who fits that name.This can be bad if you need that specific character to act and behave in a certain way.With this character naming method, you will develop your character in full first and then choose their name. The reason for this is to ensure youll write that character with intention.For example: in the Harry Potter series, the mood tends to be more serious. Rowling created Ron Weasley as comedic relief. While Ron is much more than that, the intention is still for him to be a goofy, funny character.The name Ron Weasley supports this development.Had she named him a more serious name like Reginald, Theodore, or Christopher, crafting those scenes may have been very different.The same can be said for another character called Draco Malfoy. This name is far more dark than it is funny, which is fitting for his character.The steps for this character naming method are simple:Download and fill out this charac ter development worksheet.Understand your characters role in the story. Do you want them to be serious, funny, silly, foreboding?List names that make you feel the way of your intentions.Ask friend and family to tell you what each name makes them think of personality-wise.Narrow down your choices to 3 and ask another group.Decide on the best-fitting name.#6 Make Them UpIf you want to have 100% unique character names (like Lhonniadreah, a character in the book Im writing, Lhonni for short), youve got to get creative.But youre a writer, so you know how to get creative.This particular method doesnt have many rules.Essentially, you can simply think up a random name. Perhaps you have a base or a beginning that you like.For example, my full original name for the character mentioned above was Lhonni. But I felt her character needed a longer name to fit with the traditional style of the names in her culture.Secondly, I decided to pull from the common letter match-ups this culture sees often . In this case, the combinations of the dr sound with long vowels is popular.I went on to create several combinations of potential full names:LhonnidrayLhonniyadraLhonniodrinLhonnidraUltimately, the name I chose best fit her as a character, and I decided afterward that her mothers name would be Dreah, so that her name is a namesake thats in common format for the culture I created.Heres how you can replicate this process:Write down a sound or start or end of a name you like (this can be a -ly ending, an ash- beginning, or even an -eer- middle of a name.Decide if you want the name to hold any significant meaning the way mine does. This does not have to be the same meaning. You can even find base words in English or Latin to use.Take into account any world-specific cultural influences on the name. Your world building expands to even your characters name. Dont forget this! (If your book takes place in this world, think about family spellings and such as a substitute)Create a list with s everal different versions and variations. Remember your characters name can take on very different meanings and intentions based on the sound (and look!) of it.Choose the name that feels right and embodies your intentions for the character. And let it stew for a few days! Now, even if your character is brave and strong, like in the Hiccup example, using a less-than-obvious name can provide a unique perception that fosters a better reaction later.#7 Name-by-eraOne of the biggest mistakes you can make is unintentionally destroying your readers suspension of disbelief by naming a character something wildly out of the ordinary for a time period.If youre writing historical fiction or just a story from 10-15 years ago, you want to make sure your names are realistic for the time period.This trick is also helpful if you want to give your out-of-the-real-world novel a specific time era vibe.Here are some resources for baby names by era:Popular Baby Names by EraBusiness Insiders Baby Name Li st from the 1880s onVictorian baby namesBaby Center Baby Names Through the Centuries#8 Using similar but different real namesThe most famous author who uses this method is George R.R. Martin in his infamous series Game of Thrones.What Martin did in order to give this epic fantasy series realistic but medieval sounding names is simply alter just a few letters in a name.Here are some examples of names from Game of Thrones with more common real names:Gregor GregoryJoffrey JefferyBrienne BrianneTheon Theo / TheodorePetyr PeterJorah JonahGilly LillyPodrick RodrickMartin has a way of completely transforming these very similar-to-real-life names into something with both a. fantastical and medieval twist in order to further transport us to his world. Of course Game of Thrones also features completely unique names like Daenerys and Tyrion along with real-life names like Robert and Jon. Martin uses this combination to his advantage- and you can too!Top Tips for Naming Characters in Y our BookNo matter which method you choose for naming your characters, youll need a few tips to make it more effective.Here are the best tips for naming book characters with intention.#1 Remember, length mattersThis is particularly true if you have several characters who will interact with one another regularly.If you have all very long names, your reader will be exhausted.You dont want thatWhat you do want is a reader who doesnt have to focus on the pronunciation or longevity of several character names.Using a combination of long, short, and medium length names will allow your readers to read easier so they can focus more on visualizing whats happening.Heres an example of this with names from my work in progress:EssadraVhieDailanLhonniadreahRiddickKetThis combination allows several of these characters to be in the same scene without exhausting or confusing the reader.#2 Keep nicknames in mindYou can use your characters name as a plot device if you really wanted to.Maybe the reveal of your main characters full name is important to the story and your character has only been called by a nickname their whole life.Nicknames can also serve as a way to show and not tell within your writing as well. Those close to your character are more likely to use a nickname and therefore, you dont have to dumb as much exposition in order for them to learn.Just make sure the nickname is also fitting and not too similar to other characters names.#3 Make sure the name fits the characterWeve already mentioned this tip a number of times but its worth mentioning again.If your characters name is very, very ill-fitting, it will stand out in a bad way to readers.This is why getting feedback and understanding your character fully is so vital for the naming process.#4 Make sure the name fits the settingWhere your story takes place can change the names you use for your characters.Whats the location?Does your story take place in a cold, harsh climate or in a dry, warmer environment?The lo cation matters because the names used can help enhance or take away from the mood youre trying to create within that environment.For example, harsher climates tend to pair well with curt, quipped names to mirror this. But if you want your character in this specific place to stand out, you can give them a name thats ill-fitting in order to focus on this contrast.A great example of this is Ygritte from Game of Thrones. Yet again, George R.R. Martin has named someone who lives in a tough, gritty environment with a suitable name that gives off this vibe.What are the cultural influences?As mentioned in a few of these tips, culture plays a large role in your characters names.Does your culture, whether you make it up or its real, influence your characters name in any way?For example, in a certain culture in my work in progress, names can often be namesakes. However, instead of simply naming a baby the full name of whomever theyd like to honor, they add the name to the start of another.Lhon nidra is a common name in a certain place of my book. However, her mother Dreah died. Her father then named her after her mother, but in this world, that would translate to Lhonniadreah instead of just Dreah.Ask yourself if there are any cultural influences and if there isnt (and youre completely making up this world), feel free to add some!What is the intended time period?Even if your book takes places in a completely different world, you can still allow readers to get a sense of the intended time period youre going for with the names you use.For this method, use old victorian names or names from medieval times as a base when also using another method for coming up with a unique name.Victorian name example: EmalineCreated for a unique world while maintaining the same vibe: EmariseYou can tweak the names until you find something that feels right.#5 Consider how each name soundsThere are several literary elements that touch on the way similar or contrastingly different sounds can pl ay into the attractiveness of writing.Although most people dont read novels out loud, unless theyre reading to their kids, we all still have a voice in our head that is out loud.And that voice is drawn to names that sound appealing.This can often be a subjective element when coming up with character names, but you can probably recognize names that sound good versus names that sound bad.But you can also use this to your advantage for further character development as well.Ugly sounding names are a great fit for characters youd like your audience to interpret as just that. Its all about what intention you have for that character.An example of this is the name James Bond. I think we can all agree this is a great sounding, tough name that fits the character well.#6 Get feedback on the namesOther people are a better judge of the first impression of a character name simply because its fresh for them.Enlist 7-10 people you can get feedback from when it comes to these names.Send the name al ong with 2 sentences describing the character (physically and personality) and ask them if they sound like they fit.Oftentimes, we might really like names that are hard to read or pronounce for new readers. In that case, youll want to problem solve for a solution.#7 Dont be afraid to go crazy with itThis is your book! This is your world and if you have names that are a little out there, thats okay!The only reason youd want to reel in the craziness is if the names are too complex for readers to easily comprehend and remember.Nobody wants a character whose name people forget when talking about the book. After all, characters are one of the first things raving fans gush about with a new book they love.That being said, dont be afraid of creating your own names in your own world. Real-life parents make up names for their children every day. You can do the same for your characters.#8 Create cultural similarities in your worldThis is mainly for authors writing in a unique world they make up on their own.Different cultures and languages have very different names and common ways to spell and pronounce those names.Heres a quick example of several names from opposite sites of the world in my story: If your characters are from very different areas, the names should reflect that, just like in life.#9 Avoid using already-popular book character namesUsing the name Harry or Katniss isnt the best idea. At leastnot if you want your characters to be remembered as your characters.With infamous names, itll be very hard to set your character (and therefore, your book) apart.If you want to use a name and arent sure if its in another super popular book, just do a Google search for Name in book and if it doesnt populate a very specific result, youre in the clear.#10 Avoid similar names if your character is based on someone you knowAll writers draw inspiration from the real world. Theyre lying if they say otherwise.BUT, if you do base a character on someone you know in real life (which we recommend you change enough that they wouldnt know anyway), dont use a name thats similar for the character.This can make people feel very uncomfortable, not to mention itll be that much more obvious to ou tsiders who know you.#11 Bring your characters to lifeDont just name your characters and leave them to exist only in your imagination and future conversations of friends or family asking you if youve finished your book yet.Give them a world by finishing and even publishing your book.Weve got some tips to help you with that in this free video training.Save your spot by signing up below!

Art Media Essay Example | Topics and Well Written Essays - 500 words

Art Media - Essay Example Mexican born in 1981, is digitizing archive images while at the same time creating a form of the extensive index of the associated words that eventually â€Å"mirrors† the image into the database (Inaki, 2003). The experience of interacting with this form of artwork is marvelous and very interesting. It is very interesting and enticing to learn that archive images can be subject to integrate with some words that mirror this archive images into the database. In my opinion, the purpose of this piece of art of work is to convert the past or traditional art into modern forms that would be able to attract the attention of the modern generations while at the same time be able to preserve the same archives in digital forms that would last for many years to come. Additionally, this form of digital interactive art purposes at accommodating numerous images in small space those viewers will be able to view conveniently without necessarily moving from one viewing room to the next viewing room. There is a lot that connects this form of digital artwork to the contemporary life. At first, the aspect of which archive images that could be viewed in the form of the traditional display were subject to integrate into the modern forms of digital storage connects to the contemporary life. It makes the entire process of viewing much simpler and easier through the aid of graphic designs and programming. An example of which this digital artwork compares directly to other activities one might perform on the internet in that there is a possibility of matching text and images. Additionally, it is possible to locate many images through the internet source, which compares similarly to this form of digital art whereby a set of core images are subject to locate existing in a single source of database. One thing that differentiates this site from other sources of the internet is that the images and wording contained in such databases tell of the historic activities or historic archives. Other